Italian Baroque Era Painter, ca.1563-1639 Although he was eight years older than Caravaggio, he is nevertheless regarded as a Caravaggesque artist, so deeply was his mature style affected by his knowledge of the younger painter's art. His response to Caravaggio was intensely poetic, and none of Caravaggio's many gifted followers produced more beautiful pictures.   Related Paintings of GENTILESCHI, Orazio :. | Danae dgh | Saint Cecilia with an Angel | Lute Player eryy | Madonna dg | David Contemplating the Head of Goliath fh |
Related Artists:
Homer Watson
Canadian Painter, 1855-1936 Canadian painter. The son of a mill-owner, he was born in a region of rural southern Ontario, which he painted throughout his life. In 1874 he moved to Toronto to work at the Notman Photographic Studios; he also spent many hours copying paintings in the Toronto Normal School in order to improve his technique. In 1876 he visited New York, where he was impressed with the carefully composed paintings of the Hudson River school and the rural scenes of George Inness, who encouraged Watson to pursue his career. The following year he returned to Doon to work up his New York sketches into finished paintings. A work of this early period, Landscape with River (1878; Toronto, A.G. Ont.),
Frederic Remington
American Painter and Sculptor, 1861-1909 American painter, sculptor, illustrator and writer. In 1878 he began his studies at the newly formed School of the Fine Arts at Yale University in New Haven, CT, remaining there until 1880. This, along with a few months at the Art Students League in New York in 1886, was his only period of formal art training. In 1881 he roamed through the Dakotas, Montana, the Arizona Territory and Texas to document an era that was fast vanishing. He returned east and in 1882 had his first drawing published (25 Feb) in Harper's Weekly. Further commissions for illustrations followed, including that for Theodore Roosevelt's Ranch Life and the Hunting Trail (New York, 1888) (see BOOK ILLUSTRATION, fig. 8).
Charles Rennie Mackintosh
Scottish Art Nouveau Designer, 1868-1928 Scottish architect, designer and painter. In the pantheon of heroes of the Modern Movement, he has been elevated to a cult figure, such that the importance of his late 19th-century background and training in Glasgow are often overlooked. He studied during a period of great artistic activity in the city that produced the distinctive GLASGOW STYLE. As a follower of A. W. N. Pugin and John Ruskin, he believed in the superiority of Gothic over Classical architecture and by implication that moral integrity in architecture could be achieved only through revealed construction. Although Mackintosh's buildings refrain from overt classicism, they reflect its inherent discipline. His profound originality was evident by 1895, when he began the designs for the Glasgow School of Art. His decorative schemes, particularly the furniture, also formed an essential element in his buildings. During Mackintosh's lifetime his influence was chiefly felt in Austria, in the work of such painters as Gustav Klimt and such architects as Josef Hoffmann and Joseph Maria Olbrich. The revival of interest in his work was initiated by the publication of monographs by Pevsner (1950) and Howarth (1952). The Charles Rennie Mackintosh Society was formed in Glasgow in 1973; it publishes a biannual newsletter, has a reference library and organizes exhibitions.